Performance, Jakob Riis, november 24th at Sparkling Sound Festival 2018
Featuring Ola Paulson talking about, and reflecting on his experiences with fish and SCUBA-diving, while his 1 year old son Björn is playing on the floor. The fishing boats are on their way out and the ferries are sailing.
Jakob Riis
Friday 14 November 2018, 19:00
Athens Conservatory, Greece
Concluding a two weeks recidency at Ksyme/CMRC, working with the outstanding EMS Synthi 100, Jakob Riis will play a live set with works based on newly developed material using the EMS Synthi 100, in combination with his usual set-up: laptop, mixingboard feedback, hand cymbals and contact microphones.
The newly restored Synthi 100 in Athens is a higly unique modular synthesizer, developed by Electronic Music Studios (London) Ltd. in 1971. Only around 30 units were produced in total, and today there is only a handfull in working condition worldwide.
Malene Bach's abstract, conceptual works are characterized by a geometric approach and range from purely digital to in situ work. Her paintings and sculptures are colorful, clear, constructive and free. Malene Bach explores perception and the conditioned in art, experimenting with media and genres, and moving fluidly between art, architecture and music. In a process lasting several years, Bach, Anker and Riis developed the 30-minute work "Motion Picture", a confounding color- and sound saturated performance that will be performed for the first time in Switzerland at unerhört! 2018.
Stories of Flights, Ferries and Fish. Faroe Islands2018/11/28
The Nordic House in the Faroe Islands, Forhøllin Wedensday, November 28, 17:00
Nátturðabitin
Stories of Flights, Ferries and Fish. Enjoy a cultural experience together with a light supper.
Of and by sound artists Marinos Koutsomichalis, Jakob Riis and Jørgen Teller.
The artists will perform three unique sound-based works, garnished with images, photos poems and items, which they have gathered on their travels in the Nordic countries.
Program:
"sāk vitt ok vītt of verǫld hverja", by Marinos Koutsomichalis a hybrid performance pivoting on a multi-level exploration of the Icelandic landscape and the artist’s own personal (un)makings of, and creative responses to, it
"Au Bout du Monde", by Jørgen Teller Poetry, sound, Cretan Lyra and octopus. Kraken is everywhere!
"Starboard and Fish", by Jakob Riis Ola Paulson tells and reflects on his experiences with fish, while his 1 year old son Björn plays on the floor. The fishing boats are on their way out and the ferries are sailing.
Special snacks, created for the occasion, will be served.
Saturday, november 24th 19:30 - 24:00
Dansekapellet, Bispebjerg Torv 1
First perfomances of works by Jakob Riis and Marinos Koutsomichalis for the Stories of Flights, Ferries and Fish project are presented at this years Sparkling Sound Festival. A visionary meeting between new electronic music, dance & reading / enactment, overtone singing and light design presented by Alteration and Dansehallerne
Full program below...
GERALD THOMAS & LISA GIOBBI (BR / US)
S.O.L.O. (DK) - reading, dance and inter-acting
The big surprise of the festival is the performance with director Gerald
Thomas in a reading / spoken word with the dancer Lisa Giobbi as well as shorter
performances of scenes that involve the audience and relate to sound. He has previously showed his
works in Kanonhallen and in collaboration with Dr Dante, as well as on major opera stages throughout the world.
SIMPLE SOUNDS / Skye Løvvander and Anders Nordin
Overtones duo in bathroom & lighting design by ARTHUR van der ZAAG (DK / NL)
Simple Sounds and Arthur van der Zaag present a new collaboration about a meditative semi-acoustic concert in a unique lighting set up especially for the bathroom in the basement of Dansekapellet.
JESPER RANUM
Synth veteran Jesper Ranum performs new works commissioned by the festival.
NUSTORIES / Marinos Koutsomichalis and Jakob Riis
New works from the Stories of Flight, Ferries and Fish project where Marinos Koutsomichalis, Jakob Riis and Jørgen Teller are the main players. The first two
composers present new works from their travels in 2018. http://www.nustories.nu
ALYSSA ROGERS (US)
Poetry readings
About SPARKLING SOUND FESTIVAL
SPARKLING SOUND FESTIVAL was held in 2013-15 with a Greek-Danish focus
(in 2013 in Copenhagen NV & K, 2014 in Athens & in Aarhus and 2015 in Aalborg. The focus of the festival has always been electronic music and sound art and from 2016 new thinking directions and choreography were included in the program. In 2016 2 very successful days in the Dome of Vision with new works, Swedish guests and 3 dancers. In 2017 the festival was held in the Concert Church, where the audience received a sublime meeting of Danish and foreign sound artists and performers.
Ris & Ros will perform at this years edition of Glowing Electronics at Vardagsrummet
GLOWING ELECTRONICS @ Vardagsrummet 2-3 november is back and lights up all over Österlen
Brilliant music, dazzling performances and brilliant artists from England, Germany, Denmark, Finland, Norway and Sweden!. With the motto of narrow music to a wide audience, we continue our focus on sound art, art music and experimental music. In short music on the edge! This year's festival offers local and international artists.
Fredag 2 november
19:00 - Concert I
Music by and with:
Jørgen Teller
Elina Waage-Mikalsen
Fabian Svensson & Pascal Jardry
20:30 - Concert II
Ris & Ros
Music by and with:
Jakob Riis och Ann Rosén
Saturday 3 november
14:00 - Concert III
Concert for loudspeaker orchestra – the acousmonium of Vardagsrummet
Music by:
Sol Andersson
Lise-Lotte Norelius
Olga Palomäki
Tine Surel Lange
Rosanna Gunnarson
Reine Jönsson
Diffusion by Sten-Olof Hellström
19:00 - Concert IV
F L U I D D Y N A M I X (Sören Hermansson & Fredrik Olofsson)
music for horn and electronics with audiovisual interludes.
Music by Marie Samuelsson, Leilei Tian, Marcus Fjellström, Fredrik Olofsson
20:30 - Concert V
Hellström & Bowers
Musik by and with Sten-Olof Hellström and John Bowers
Göteborg Art Sounds
Tuesday, October 2, 19:00 - 20:30
Atalante, Gothenburg
Contemporary music, readings, images, text fragments. A Shrinking Emptiness is as much concert as it is an installation and a lecture. An audiovisual landscape, a temporary room that the listener is welcomed into.
A Shrinking Emptiness is a project created, staged and performed by Gothenburg based composers and musicians Anders Hultqvist, Stefan Östersjö, Ole Lützow-Holm, Jörgen Dahlqvist, Jakob Riis, Gunnar D Hansson and contemporary music ensemble Mimitabu.
Act 1. Concert (53 min.)
Entropic Pleasures by Anders Hultqvist performed by Mimitabu
Poetry readings – Gunnar D Hansson
Audio Paper around the sound installation Invisible Sounds (part 1)
Traces of Oblivion by Ole Lützow-Holm with Stefan Östersjö – Guitar and
Jakob Riis – Laptop
Audio Paper - Invisible Sounds (part 2)
Intermission
Act 2. A Shrinking Emptiness (47 min.)
Concert/Installation/Lecture performance
In the form of a Live Audio/visual paper, parts of an acoustical ecological landscape are both formed and examined. The presentation combines an audio landscape – which in turn is composed of material from some previous projects – with readings, musical compositions, images and text fragments.
(X)Sites, Two performances, September 23rd, 20182018/9/23
Two performances by Jakob Riis and Elise Brewer in a meeting with a scuplptures by Annelie Nilsson and Ingrid Ogonstedt. As a part of the artproject (X)Sites, with temporary public art alongside Kattegatleden
Place: By the Net Drying Poles, Viken, Sweden. Sunday, September 23rd, 2018, 13:00, 14:00 och 15:00
Jakob Riis. An electro-acoustic live sound perfomance by the composer Jakob Riis of an open composition based on field recordings from the surrounding area. The live performance presents the composition engaging in a dialogue with the site-specific artwork ”The moving coastline archive” through a quadrophonic sound system that are installed amidst the net-drying poles.
Elise Brewer. A performance in a meeting with a sculpture by Ingrid Ogenstedt. The dancer Elise Brewer works with the body as a starting point for creating a place where the everyday logic relaxes and the (un)known is allowed to emerge. The meeting with the artwork will be in focus. What constitutes a meeting? What exists in the space between the entities? The porous walls of the artwork, surrounded by the distance and the color of longevity, opens up for an intimate encounter.
Mike Sheridan & Jakob Riis. Sequential Spaces2018/9/15
Saturday, September 15th, 19:30 Inter Arts Center, Red Room Bergsgatan 29 Malmö, Sweden
Mike Sheridan and Jakob Riis will conclude a two weeks recidency at Inter Arts Center in Malmö with a concert in the Red Room.
The project Sequential Spaces are focused around the exploration of the unique glass instrumet Christal Bascet in an interactive set-up with digital electronics and spatial sound. The music are being developed by the two musicians/composers in a joint investigative work of the instrument Cristal Baschet, in combination with electronic sound processsing techniques developed specifically for this project.
The glass instrument Cristal Bachet originated in the French musique concrète tradition, with the Sequential Spaces project aiming to get into the core of this instrument. As a sculptural manifestation of materials, processes and techniques; glass, metal and membranes on top of each other and immersed in strong and suggestive universes of sound with porous walls.
The instrument Cristal Baschet was developed in the 1950s by the two French instrument makers Bernard and François Baschet. A rare instrument which Mike Sheridan is one of the few who plays. The sound in the instrument are generated from 42 glass bars mounted on metal and amplified in resonant metal and glass fiber membranes.
Topographies of Paradise (DK, DE, ES, RS, SE)2018/8/25
Saturday, August 25th, 15:00 and 19:00 Dramaten, Målarsalen Stockholm, Sweden
Madame Nielsen throws an X-ray on today's Europe trying to map and stage the multitude of nationalisms and separatisms currently blooming all over the old continent. What is a nation? What is a hometown? What is a native language? What is Swedish, German, Spanish/Catalan, Danish, Serbian?
The theaters participate with actors and directors. Madame Nielsen has written the plays based on trips and interviews in the five countries with both actors and political organizations. Live Sound Design on recirculated national anthems by Jakob Riis.
Madame Nielsen is an internationally acclaimed performance artist and author. In the fall of 2015, she followed the refugee stream along the Balkans route - a journey she depicts in the novel Invasionen.
Sunday July 22nd, 20:00 Søborg Kirke Bygaden 38 3250 Gilleleje
The 2nd evening of Spir Festival 2018 offers two solo performances. First out are a solo work by Simon Christensen followed by a set by Jakob Riis
Simon Christensen will perfom his work "Solo +", for Zither, percussion, electronics and miscellaneous. "A solo piece going to the core of main foundations in music, aiming for a cleansing of the same. A music starting from skratch that can be listened to without musical assumptions - at the same time both complex and simple."
Jakob Riis will play a set that in his own words are "Identifying hard controllable areas of sounds and soundscapes, in a process where a self-regulating music of crackling shifts and currents is brought to the surface", playing trombone, analogue- and digital electronics, hand cymbals, contact microphone and usb fan.
Jørgen Teller & The Empty Stairs feat. Jakob Riis2018/7/10
Tuesday, July 10th, 22:00 Pakhus 11 Dampfærgevej 2 Copenhagen
The concert performance group WE GO has invited Jørgen Teller & The Empty Stairs feat. Jakob Riis to perform a live diffusion rock concert, as a part of their program for the Copenhagen Jazzfestival 2018.
Inspired by Pierre Henrys collaborations with rockbands in th 70's, Jørgen Teller presents a new work for his Rock band The Empty Stairs, a very special commision that will be diffused live by Jakob Riis in a 30 loudspeaker large Acousmonium calibrated to the acoustics of the space
The Acousmonium are installed in Pakhus 11, by WE GO, for their performance DEAD AWAKE, that are playing between july 6-15. Don't miss the chance to attend the performance at 20:00 before the concert at 22:00
The documentary material of “The Disappearance And Return Of A Beloved”, by Henrik Lund Jørgensen, is filmed in a newly built modern crematorium where the camera without comment follows the process of a cremation.
The project is conceived as a mix of documentary, installation and a musical approach to geräusch*. As a starting point documentary filming material will be displayed in a performative situation. The idea is to work alternatively with the form of the documentary and its elements by presenting the film in a way that allows the sounds and the soundscape to be created and applied to the images through a live performance. The performative screening was developed during a resicency at IAC in December 2017.
* Geräusch (English “foley sound”, Swedish “tramp”) is a traditional technique for creating audio for movies.
Henrik Lund Jørgensen works with video, photography, performance, text and installation. The starting point of his work is a study of moving and still images, how they are perceived and what effect they have. Lund Jørgensen explores thematically how Western identity is based on a definition of the "other" and how this approach is reproduced in images. Conceived as a collage of images, texts and sounds unfolding layer upon layer, his video work subtly straddles uncertain boundaries between reality and fiction. Combining found images from different sources with newly filmed material; Jørgensen fabricates a subjective version of events suffused with ambiguity thus inviting a range of possible interpretations.
May 17th, 22:30 Dome of Visions, Pier 2 Århus, Denmark
As a part of the mini festival "Sonificeret omfavnelse!" (Sonicated embrace), Jakob Riis will present the premiere of the work Evaporations. Written specifically for the Dirty Three Dimensional Acousmonium 32-loudspeaker system, where evaporated digital information are condensed in a crushed sounding precipitation
Full programme for the festival:
Thursday, May 17th, 17:00: SOUND
Birgitte Bærentzen-Pihl (to instrumenter spiller sammen: Violinen og D3DA – “nyhør med gengangere”)
Band Ane (“Vi lytter ikke til koncerten – Istedet er vi i den musikalske regnskov, moduleret, formet, farvet…”)
Morten Riis (Med domens impulser i ørerne -“Vi hører det hele, og det hele hører os!”)
Thursday, May 17th, 22:30: SOUND AND VISUALS
Jakob Riis (Evaporations – “Fordampede digitale signaler kondenseret til klingende nedbør”)
Jørgen Teller (Elevator Diaries from Athens with STATIC TELLER – Diaries from Athens on screen, and shouted out in 3D!”)
Kasper Fangel Skov (Flock Reflections – “Det lydelige mikrokosmos i domen og på havnen ekstrapoleret i D3DA”)
Friday, May 18th, 17:00: SOUND
Anthea Caddy (The Cello Inside-Out Acoustics from the Deepest Dark Down Under!)
Thomas Wernberg (Just Drifting – “Det som kommer og går”)
Är du mellan 7-14 år gammal och nyfiken på att testa på att lära dig att skapa musik i stunden tillsammans med några av Sveriges mest erfarna Improvisationsmusiker? Passa då på att komma på workshopen “Skapa elak musik” Söndagen den 18 Mars.
En workshop kommer att hållas mellan kl 14-15:30 och resultatet av det som vi kommer att lära oss utmynnar i en konsert kl 16:00. Din familj, dina vänner och alla nyfikna förbipasserande är givetvis varmt välkomna till konserten!
Ni kommer att träffa och få jobba tillsammans med:
Emeli Ek - slagverk
Herman Müntzing - alternativa ljudgivare
Jakob Riis - bleckblås
Johannes Nästesjö - stråk
Karin Johansson - ackordeon
Workshopen och konserten kommer att hållas på Poeten på hörnet - ett litterärt allrum som startade i januari 2012. Där ordnar de och gästande arrangörer allt från författarframträdanden och berättarkvällar till poetry slam, musik och skrivarverkstäder.
Detta är ett unikt och modigt projekt där barn med eller utan musikaliska förkunskaper kommer att få möjlighet att ge improviserade konserter tillsammans med några av Sveriges mest erfarna Improvisationsmusiker.
The Dissapearance and Return of a Beloved2018/1/13
Henrik Lund Jørgensen
Aura, Kronogshuset
Mårtenstorget 3, Lund
13 january – 11 february 2018
Performance:
Saturday, January 13th, 14:00, 15:00 and 16:00 Jakob Riis, Emeli Ek and Henrik Lund Jørgensen Duration approx 25 min.
Limited number of seats, booking is mandatory. For booking please send an email to: info@krognoshuset.se
Opening:
Sunday, January 14th, 12-17
The documentary material of “The Disappearance And Return Of A Beloved” is filmed in a newly built modern crematorium where the camera without comment follows the process of a cremation at a certain distance.
The modernization was made by having machines taking over human labour with a deliberate usage of slow movements. The viewers curiosity is driven by the out of the ordinary insight into a place that is unseen to the most, yet very much concerning the public. The confrontation with ones own death is the consequence…
The project is conceived as a mix of documentary, installation and a musical approach to geräusch*. As a starting point documentary filming material will be displayed in a performative situation. The idea is to work alternatively with the form of the documentary and its elements by presenting the film in a way that allows the sounds and the soundscape to be created and applied to the images through a live performance.
* Geräusch (English “foley sound”, Swedish “tramp”) is a traditional technique for creating audio for movies.
Henrik Lund Jørgensen works with video, photography, performance, text and installation. The starting point of his work is a study of moving and still images, how they are perceived and what effect they have. Lund Jørgensen explores thematically how Western identity is based on a definition of the "other" and how this approach is reproduced in images. Conceived as a collage of images, texts and sounds unfolding layer upon layer, his video work subtly straddles uncertain boundaries between reality and fiction. Combining found images from different sources with newly filmed material; Jørgensen fabricates a subjective version of events suffused with ambiguity thus inviting a range of possible interpretations.